Catalog: Sold Items (420)

Original oil on canvas of cattle in a landscape signed lower left in excellent condition measuring 32 x 36 inches. Provenance: The Closson Art Galleries Cincinnati Ohio

Biography

Thomas Corwin Lindsay, born in Cincinnati, Ohio, was a well-known painter of landscapes, animal subjects and occasional portraits. He studied in Dusseldorf, Germany, in the 1860s, but lived and worked most of his life in his native city where he opened a studio in 1856 or 1857. He taught several pupils from his studio, and was a founding member of the Cincinnati Art Club, which became the Men's Art Club. Most of his landscapes were painted in Pennsylvania, up-state New York, the White Mountains of New Hampshire or other Eastern states. He exhibited at the Cincinnati Industrial Exposition, from 1870-83; Pogue's, in 1875; and the Art Institute of Chicago, Illinois, in 1896. His work is in the collection of the Cincinnati Art Museum. Jim Lawrence, a relative of the artist, provides the following: According to the U.S. Census for 1900, Thomas Corwin Lindsay was born on July 1838 in Ohio and not 1839 as so often is recorded. In 1900, he was living in Cincinnati with his wife and son and working as an artist. His parents Thomas Lindsay and Elizabeth Lawrence were both born in Pennsylvania, his father in Cumberland County and his mother in Philadelphia.

A fine antique bronze Chinese bronze buddha with very fine details in the hand mudra postures. Measuring approx. 8 inches tall a fine example.

A fine Mayan Jade classic period pectoral chest ornament plaque. From a Stanford collection measuring 11.5" x 7".

An exquisite carved Ivory image of Guanyin with the Buddha atop all hand carved from a very large tusk Measuring 5.5 in diameter 15 inches tall and 18 inches tall with stand. Signed with carved symbol on bottom. A fine example would make a nice addition to any collection.

Han Dynasty Cocoon Jar (206 BC-220 AD). The distinctively plump, ovoid form of this jar, imitating the shape of a silkworm cocoon, has a fair amount of the original paint remaining on the body. Characteristic swirling cloud / scroll designs in reddish-pink and white cold-paint pigments decorate the surface. This jar is in very good, “as excavated” condition with no visible repairs, one chip to the rim of the mouth (see photos), as well as some burial dirt still attached. Authenticity guaranteed. Measures approx. 12 1/2” wide x 10 1/2” high x 8 1/2” thick. HISTORICAL BACKGROUND: During the time of Han Emperor Wudi (140-87 B.C.), fascination with the idea of the afterlife and the search for immortality reached a pinnacle. This preoccupation was given physical form in the distinct swirling decorations of painted Han earthenware vessels. Along with a variety of other earthenware objects such as domestic animals, soldiers, and attendant figures, richly decorated vessels of this kind were placed in the tomb and intended to serve the spirit of the deceased in the afterlife.

Mediterranean Fishing Boats, by Charles Levier (1920-2003). Signed lower right and titled on verso. For over 40 years, Levier enjoyed an important position as an artist with countless exhibitions around the world. Image, 24"L x 30"W.

An Antique Japanese Ivory Netsuke of a reclining Buddha with a rich patina and warm color great form. Measuring 4 cm or 1.5 inches in length.

Harriet Whitney Frishmuth (American, 1880 to 1980), Playdays: A Fountain, modeled 1925, bronze with greenish brown patina. Signed and dated on base: HARRIET W FRISHMUTH 1925. Foundry mark: GORHAM CO FOUNDERS QFED. 25 inches tall. An Exquisite piece.

Harriet Whitney Frishmuth was born on September 17, 1880 in Philadelphia, Pennsylvania. A student of such renowned artists as Auguste Rodin and Gutzon Borglum, Frishmuth's reputation and career grew steadily throughout the first several decades of the twentieth century, with exhibitions at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. Her favorite models were dancers, especially Desha Delteil - immortalized in Frishmuth's most famous work, The Vine - a model particularly popular with artists for her ability to hold difficult poses for long periods of time. The final exhibits of Frishmuth's work took place in New York City in 1929, but she remained active in the art world for many years following. Frishmuth passed away in 1980 at the age of 99. A proponent of the Beaux Arts style - Frishmuth was exceptionally critical of modern art, often calling it "spiritless" - her works can now be seen in some of the world's leading museums and collections, including the Metropolitan Museum of Art in New York City, the Dallas Museum of Art, and Ohio University's Kennedy Museum of Art.

With original HOI AN HOARD inventory barcode numbers. Every artifact out of this shipwreck was given an inventory number (barcode stickers) and is logged in and registered by archeologists in 1999 when they salvaged this shipwreck cargo from the depyhs of the Dragon sea (Sourh China Sea of the coast of Vietnam).. THIS LARGE BOWL IS IN GOOD ANTIQUE CONDITION WITH FADING DUE TO YEARS OF EXPOSURE TO SALT WATER AND A SMALL MINOR CHIP TO THE FOOT PLEASE VIEW PICTURES. APPROX. 9 IN. WIDE AND 2 1/4 DEEP.

Green Jade carved bat brooch or pin China circa 1900 with a silver filigree backing and pin mount. A fine quality translucent jade the brooch in excellent condition measures approx. 3 3/4 in. or 10 cm. wide. This jade brooch would make a fine addition to any jewelry collection.

A fine epic size original oil by this renowned artist measuring 24 x 40 oil on canvas signed lower right in excellent condition.

Biography

Alexander Dzigurski traveled widely in the United States , painting in the Rocky Mountains, Grand Tetons, Glacier National Park, New England and along the coasts. Dzigurski started his career in his native Yugoslavia by decorating the interior of churches, which he continued in the U.S. after he and his family had fled from Tito's communist regime via Italy. By 1952 he could afford to travel and paint landscapes, settling in California. He Studied at the School of Art, Belgrade and the Academy of Art, Munich, Germany. He was a member of various organizations including: Fine Art Institute of Los Angeles; American Artists Professional League; and Society of Western Artists. His work has been exhibited in the following museums: Belgrade Art Museum, Yugoslavia; Ford Museum, Detroit; and Boston Museum of Fine Arts.

A Tibetan Tara Buddha bronze with traces of gilt and old polychrome late 19 th early 20 th century measuring approx. 8 inches tall.

A beautiful Chinese porcelain vase with green tea dust glaze of beautiful color and form measuring Approximately 8 inches tall in excellent condition no chips cracks or restorations.

A Beautiful and rare Song Dynasty 960-1279 A.D. Celadon tea bowl of very delicate form featuring intricate incised designs of dancing children and vines. Measuring Approx. 7.5 inches by 3 inches, In very fine condition to chips or cracks. A museum quality example.

Chinese Chinoiserie lacquer box with scenes of temple houses and figures in landscape circa 1860. A beautifully all hand painted scene on a red lacquer background the box is made of wood and the clasp of brass. A fine example in very good antique condition.

Frank Montague Moore Carmel or Monterey evening nocturne oil on board signed lower right F.M. Moore. A beautiful painting with a amazing sense of light. In excellent condition measuring 12 x 16 inches approx. overall size 19 x 23 inches. A fine painting by this highly acclaimed artists would be a nice addition to any collection.

Biography

Born in Taunton, England on Nov. 24, 1877. Moore studied at the Liverpool Art School and Royal Institute. In 1903 he immigrated to America and further studied with Henry Ward Ranger. By 1910 he was an established artist in NYC; in that year moved to Hawaii where he was purchasing agent for Hawaii Plantations and later served as director of the Honolulu Academy of Arts. In 1928 he sailed for California and worked briefly in Pasadena where he painted the Picture Bridge, a series of 41 murals in the Huntington Hotel. After a few months in San Francisco, he settled on the Monterey Peninsula. There he specialized in poetic depictions of the coast and other local scenery. Moore died in Carmel, CA on March 5, 1967. Member: Salmagundi Club; NY WC Club; AFA; Pasadena Society of Artists. Exh: Calif. WC Society, 1928; Nicholson Gallery (Pasadena), 1928; CGA; PAFA; St Louis Museum; GGIE, 1939; LACMA, 1942; Salmagundi Club, 1943; Santa Cruz, 1944; Society for Sanity in Art, CPLH, 1944 (1st prize and Logan medal); Carmel AA, 1945-46; NAD. In: Orange Co. (CA) Museum; USMC Headquarters (SF); Auckland (NZ) Museum; Honolulu Academy of Art. Source: Edan Hughes, "Artists in California, 1786-1940"

Gustav Adolph "Dolph" Hensel was born in Germany and came to the U.S. in 1906. He was a Lutheran minister who settled in Wisconsin and later moved to San Francisco, where he was pastor of St. John's Reform Church until 1922. Hensel was also an artist who mainly painted portraits and religious genre. He spent three years as a missionary in Africa during the 1920s, and it may have been during this period that he painted this middle eastern scene. His nickname was "Dolph" and many of his paintings are signed 'D. Hensel," as in this example. Presented in the original frame canvas 12" x 14".

Oil painting landscape with a creek. Signed lower right "Frederick Wagner" (1864-1940), a renowned American Impressionist who studied at the Pennsylvania Academy of the Fine Arts from 1879 to 1884. He exhibited at the Pennsylvania Academy, the Carnegie, and the Corcoran, as well as the National Academy of Design. Image, 6"H x 8"L. Framed in period frame overall size 10" x 12". Written provenance directly from the artist accompanies this painting.