Catalog: Sold Items (420)

Charles Dorman Robinson impressionist seascape A beautiful atmospheric seascape painting of a sunset with ships off the coast of San Francisco. Oil painting on artist board framed in the original arts and crafts era frame signed lower right. In excellent condition some very minor touch ups in the sky area professionally cleaned and re-varnished. A fine example of this highly acclaimed artists work.

Biography

Charles Robinson was born in East Monmouth, Maine, and his father, David Robinson, was a theatre producer for Gold Rush mining towns and constructed the first theatres and plays for stage productions in San Francisco. In 1850, his family moved to San Francisco where he was educated in the public schools and grew up sketching harbor scenes. He took lessons at the age of seven from Charles Nahl, a painter of mining genre and landscape, and earned a diploma at age 13 from the Mechanics' Institute for best marine drawing for a juvenile. From 1861 to 1873, he lived in Vermont because the family was forced out of San Francisco by threats resulting from his father being on the Vigilance Committee. On the East Coast, he became the pupil of marine artists William Bradford and M.F.H. De Haas as well as Impressionist George Inness. He was also much influenced by Albert Bierstadt and James Hamilton. He lived in Clinton, Iowa from 1873 to 1874 to court and marry Kathryn Wright, and then returned to San Francisco. He first worked as a retoucher of photos, and he and his wife wrote and did illustrations for "Overland Monthly" and "Century" magazine. By 1876, Robinson was exhibiting regularly as a painter, and in 1880 began making trips to Yosemite Valley. He was also in Paris between 1899 and 1901 and offered the Paris Exposition in 1900 a painting of Yosemite that was 50 x 380 feet and weighed five tons. When the committee rejected the panorama, he cut it into pieces, which he sold for passage money home. In the earthquake and fire of 1906, many of his paintings were destroyed in a warehouse where he had thought they would be safe. In 1921, a fire in his home destroyed twenty years worth of Yosemite paintings. He died May 8, 1933 in San Rafael, California. Source: Edan Hughes,

An original oil painting on canvas still life of peaches and grapes signed lower right a beautiful painting in good condition. Thomas Nash painter. Nash appears to have been an itinerant artist. He was in southern California in 1879 when he painted a series of Kern River scenes. From there, he traveled north to Oregon where he did several views of the Columbia River. By 1880 he was sketching around the Colorado River in the Calico Mountain region. In 1894 he painted scenes of Michigan, and during the years 1903-13 he painted up and down the California coast. Nash's few extant works are from the brush of an accomplished painter.

A fine Japanese Ivory netsuke of a Noh Drama character artist signed measuring approx. 2.5 inches 6 cm. tall in excellent condition.

A beautiful original watercolor painting of a New York landscape by Harry Roseland signed lower right in excellent condition in quality frame site approx. 10x 14 inches. An investment quality work. Harry Roseland 1868-1950 Genre painting enjoyed tremendous popularity in nineteenth-century America. It was a style that allowed a painter to tell a story, evoke an emotion, tell a joke, or educate. Largely superseded in the twentieth century by changes in popular taste and improvements in photographic technology, genre painting nevertheless remains a strong sub current in popular taste. One of the most notable painters in this mode was Harry Roseland. Roseland, born in Brooklyn, New York in 1868, matured as an artist while waves of change were sweeping over the art world. Largely self-taught, he chose to paint what he saw. He received some education in art under J.B. Whittaker in Brooklyn, and at first painted some landscapes and still lifes, but his natural flair was for telling a story in his paintings. His subject matter was at first highly sentimental and heavily influenced by fashionable taste: smartly turned-out young women, old folks, and idealized farm scenes. He abandoned the mawkishness that is the downfall of so many self-educated artists when he found a topic that was close to home and yet largely unnoticed: the post-Civil War blacks who formed the underpinning of Northeastern society. Roseland's clever, skillful scenes of homely activities - such as checkers or letter-reading, were remarkably dispassionate and candid for the time, though to modern eyes they may seem condescending and dated. They capture with gentle humor of a way of life that existed through the first half of the twentieth century and has now vanished. Harry Roseland never left his native Brooklyn, dying in New York in 1950, but enjoyed a remarkable success as an artist in his chosen specialty, improving and maturing continually. The archetype of the independent American artist, he never traveled to Europe to study or observe, choosing to carve his own path. During his career as an artist he exhibited:Brooklyn Art Club, 1888 (gold),Boston, Mass., 1900 (medal), 1904 (gold),Charleston Expo, 1902 (medal), National Academy of Design, 1898 (prize),Brooklyn Society of Artists, 1930 (prize), American Art Society, Philadelphia, 1902 (medal), 1907 (gold),Pennsylvania Academy of the Fine Arts, Art Institute of Chicago. His memberships include: Brooklyn Arts Club,Brooklyn Society of Artists, Brooklyn Painters Society, Salmagundi Club. Public Collections representing the work of Harry Roseland: Brooklyn Institute of Arts and Science, Brooklyn Museums,Charleston Art Museum,Heckscher Museum, Long Island, New York.

A Japanese Ivory netsuke artist signed figure of Hotei or Buddha. A fine carving with nice details and color. A fine addition to any collection. Measuring approx. 2 1/4 inches tall or 6 centimeters.

A fine Chinese carved Ivory Snuff bottle depicting an Elephant with a Empress. Finely carved with great detail the inside is well hollowed. Measuring approx. 3 inches tall in excellent condition. A fine addition to any collection.

A fine vintage African Dan mask. a beautiful piece of fine form and carving and patina. Provenance From The Late Phillip Kirkeby Collection. Custom display mount overall 15.5 inches the mask is 9 inches in length in excellent condition a fine addition to any collection.

Impressionist oil painting of an Italian coastal village signed lower right "Luigi Bertolingrande" (1912-1965), a highly regarded 20th-century Italian Impressionist artist. Oil on canvas laid on masonite board in excellent condition. Unframed.

A fine western bronze of two cow girls by Edward Fraughton born 1939 a Utah artist is a highly regarded sculptor of western bronzes. This example of two charming western girls is finely detailed and in excellent condition. Measuring approx. 12.5 inches tall signed and numbered 8 of 30 and dated 1971. A bronze by Fraughton sold at for 10,350 at Altermann Galleries on 10/23/04. A fine example would be a nice addition to any collection of western or Utah art.

A Beautiful antique S Kirk and Sons sterling silver covered urn with heavy chased repousse a floral finial and ram head finial handles monogramed with a letter P measuring approx. 9.5 inches tall marked 11 oz. In very fine condition.

Claude Buck still life of a rope and sea shells 1966 oil in masonite signed and dated lower left. Measuring Approx. 28x48 inches in excellent condition. A masterful painting by this remarkable American artist. Provenance; the artist’s wife Leslie Buck.

Biography

A leading member of the avant-garde symbolist artists in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and New Testament writings from the Bible. Some of these early paintings had nude figures rendered in classical style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had luminist elements achieved with light-toned paints worked with transparent glazes. In the 1920s to earn money by gaining public favor and also expressing his increasing disdain for modernism, Buck did a number of "hyper-real" portraits, figures and still lifes. These proved popular and aligned him with the opponents of abstraction and their "Sanity in Art" movement whose headquarters were in Chicago. Buck taught drawing and painting at the Chicago Academy of Fine Art from 1921 to 1926, and at the Art Institute, where he took over classes of George Bellows. In New York City before coming to Chicago, Buck had a reputation as a radical artist. He took his first art training from his father, William R. Buck, from the time he was ages three to fourteen, and then until he was twenty-two, he studied at the National Academy of Design where he was nicknamed "Kid Hassam" because his painting reminded viewers of that of Claude Hassam. Buck worked as a scene painter in the theatre and at the Willet Stained Glass company, and in 1914 began portrait commissions to earn money. In New York he founded a group named the Introspectives, which reflected his own problems with melancholy during that period. Members, holding their first exhibition at the Whitney Studio in 1917, were artists who expressed their personal feelings and experiences and included Raymond Jonson and Emil Armin. In this phase of his career, Buck was focused on Old World styles of Leonardo da Vinci, Ralph Blakelock and Albert Pinkham Ryder. In 1929, the Arts Council of New York voted him one of the top one-hundred painters in the United States. In 1949, Buck and his wife, Leslie, moved to California to a studio-home in the Santa Cruz Mountains, and ten years later they settled in Santa Barbara where he died on August 4, 1974. In California, he was a member of the Carmel Art Association, the Santa Cruz Art League that he served as President in 1953,and the Santa Barbara Art Association. His paintings are in the collections of the Santa Cruz Public Library; the Santa Cruz City Museum as well as the Spencer Museum in Lawrence, Kansas; the Brigham Young University Museum; and the Museum of Elgin, Illinois.

A beautiful oil painting on board signed lower left of a Dramatic landscape. Titled on the reverse Twilight glow and with the University of Nebraska Museum label with inventory number 1029 Attributing this painting to Blakelock and a partial museum exhibition label. Measuring 6 x 8 inches framed in a quality presentation frame 13 x 15 inches overall. This is an absolutely stunningly powerful image by this renowned artist.

Biography

Born in New York City, Ralph Blakelock earned a reputation for nocturnal, misty scenes, especially moonlit landscapes, large oak trees, and Indian encampments. He also did a small number of floral still lifes. His work has a mysterious quality, which some associated with the type of music he habitually played on the piano during interludes from his painting. Towards the end of his career, his paintings became increasingly haunting, a reflection of his insanity brought on by horrible poverty and his inability to support his family of nine children. He was both a late exponent of the Hudson River School of painting and also of the American West. He also foreshadowed the romantic, visionary, and modern tendencies that marked the turn of the 19th to 20th centuries. This romanticism, especially of escapism, was increasingly pronounced towards the end of his career. Blakelock was the son of a prominent English-born, New York physician, and first took medical studies, but his love of music and art led him away from medicine. He graduated from the College of the City of New York, studied briefly at Cooper Union, and at the Free Academy of the City of New York. In 1867, he first exhibited at the National Academy of Design to which he was ultimately elected, after he was incarcerated for insanity. During this time, he painted a series of New York City scenes, primarily of un-glamorous areas such as his work, Shanties, New York City. He also painted in Hudson River Style and was in locations that included the Adirondacks and the White Mountain. It is thought he learned this style during his brief and only art education at Cooper Union. Primarily self taught, he declined his father's offer to pay for more extensive art schooling, and instead, at age 22, embarked on a three-year (1869-1972) horseback tour of the West. He lived with plains Indians, painting pictures of their villages, and traveled and painted through the Rockies and the Sierra Nevadas. In San Francisco and Oakland, he painted city scenes, the tree landscapes, and coastal views, and then he headed south to Mexico. These western paintings were also in the Hudson River style, although they were rough and more painterly. Returning to New York, he developed what became his signature expression: quiet, moody, nocturnal scenes accented with bright colors depicting light, and trees silhouetted against the sky. He had a labor-intensive technique, which was building up of multi layers of thick paint, scraping some away, and "adding more to build a complex tonality". (Zellman 420) It is said that his real travels were introspective from which he created these moody, dark landscapes, and they did not satisfy the current public taste for uplifting Hudson River style painting. Ahead of popular taste, his work was overlooked, and crooked dealers took advantage of him. With the desperation of trying to support his huge family, he sold his work cheaply. Ironically, many years after his death, his work became so valuable that forgers, including a dealer who changed the signature on canvases of Blakelock's artist daughter, Marian, to that of her father, sold paintings at very high prices by using his signature. Norman Geske, Director Emeritus of the Sheldon Memorial Art Gallery in Lincoln, Nebraska, became the authenticator of Blakelock's work, and has seen many, many illegitimate so-called Blakelocks. Under Geske's direction, a catalogue raisonne has been published that classifies paintings with Blakelock's signature into three categories according to their degree of perceived authenticity. In 1899, the artist had a mental breakdown and spent the last twenty years of his life in an asylum in Middleton, New York. He died on August 9, 1919. However, his work had already begun increasing in value, and by 1916 was bringing as high as $20,000. Of Blakelock's career, Norman Geske wrote: "Considered in the context of American landscape painting in the second half of the nineteenth century, Ralph Albert Blakelock can be seen first as a late exponent of the Hudson River School, second as a highly personal contributor to the painting of the American West, and third and most important, as part of the romantic, visionary, and modern tendencies that marked the turn of the century."(16)

A fine antique oil on canvase by Mauritz Frederik Hendrik De Haas picturing a sailing ship in the moonlight signed lower left in excellent condition measuring approx. 24 x 36 inches framed in a period frame. One of the most famous 19th-century marine and landscape painters, especially of Long Island, Mauritz De Haas was born in Rotterdam, Holland where he studied at the Academy of Fine Arts. He also studied at The Hague, a pupil of Louis Meyer, and then specialized in watercolor in London. In 1859, at the age of twenty seven he immigrated to the United States and set up a studio in New York. In his adopted homeland, he first became known for his European views and then for his scenes painted along the Northeast Coast. Among the latter were views of Long Island: Orient, Montauk, Peconic, Westhampton, Bridgehampton, and Southampton, as well as points along the Long Island Sound. He painted Civil War naval scenes for Admiral Farragut. A brother, William Frederick De Haas, was also a distinguished artist. De Haas felt a special affinity for Long Island because it resembled his native Holland in its terrain and ever-changing effects of light and atmosphere. He was determined to capture the full range of these effects, from bright sunshine reflected on the rippling waves of Long Island Sound to the cool moonlight shining on the beach at Southampton. According to one contemporary critic, he succeeded: "His pencil is equal facile whether portraying a storm on the coast, moonlight effects at sea, or brilliancy of the sunset hour." In painting moonlight scenes, the same source claimed, de Haas had "few equals."

A fine pair of antique portrait miniatures of a man and woman signed Dubbison and dated 1823 oil on Ivory in leather cases. In very good antique condition the lady has a restored hairline crack to her left. measuring approx. 3 x 4 inches. a beautiful pair.

Original oil painting "Sail Boat Moonlight Nocturne " By Michael Dancer (1927-2002) Dancer a California impressionist artist had affiliations with prominent galleries. Including Montecito Fine Arts, Linda McAdoo Gallery in Santa Fe, Nelson Rockefeller Gallery in Palm Springs, and the Bluebird Gallery in Laguna Beach. Awards include 3rd prize in the Taos Impressionist Show. California Art Club Gold Medal for Landscape. Image 5"H x 7"W. Framed size 8 x 10 overall.

An original oil painting on canvas signed lower right Baxter and dated 1868. A beautiful portrait of two women. Measuring approx. 30 x 40 inches. Biography

Charles Baxter (March 1809 - 10 January 1879) was an English portrait and subject painter, known especially for his portraits of pretty young women. Baxter was born in Little Britain, London in 1809, the son of a book clasp maker, and started his career apprenticed to a bookbinder. However, he gave up this business to commence life as a professional painter, chiefly of miniatures and portraits. In 1834 he made the acquaintance of George Clint, from whom he received some valuable instruction, and in the same year exhibited for the first time at the Royal Academy. In 1839 he joined the Clipstone Street Society, and studied there along with Paul Falconer Poole, William Müller, Edward Duncan (1804-1882), Joseph John Jenkins (1811-1885), Francis William Topham (1808-18), and others, who afterwards became distinguished in the profession. He became a member of the Society of British Artists in 1842, and contributed to its exhibitions many of the poetic and rustic subjects and fancy portraits upon which his reputation chiefly rests. His female heads are especially characterised by refinement of expression and purity of colour.

A beautiful African carved ivory figure of a seated female and child west Africa with beautiful patina measuring approx. 12.5 inches in length. A fine investment quality antique.

His paintings can be found in: The National Gallery of Art in Washington, DC The Metropolitan Museum of Art, New York The Louvre, Paris Constant Troyon began his career as a porcelain painter. By the late 1830s he turned his attention to landscape painting, and his first Salon entries were views of Saint Cloud and Sevres, near the state porcelain works. These early paintings were characterized by bright colors based on his experience working with porcelain glazes In 1843, Troyon became friends with Theodore Rousseau and Jules Dupre, and began to frequent Fontainebleau, which would provide him with a new subject for his painting. In 1846, he was awarded a first-class medal at the Salon. The turning point in Troyon's career was in 1847 when he visited the Lowlands. Here he fell under the influence of the two great 17th century Dutch animal painters' Albert Cuyp and Paulus Potter. When he returned to France he concentrated on animal painting and the Salon of 1849 saw his first entry devoted to an animal subject. From this point on he was a great success, both critically and financially, and his influence was felt in France, the Lowlands and Germany. Troyon became the first Barbizon artist to win overall acceptance. Exhibitions of his works were held in London, Manchester, Brussels, Vienna, Antwerp and The Hague. A perfect balance of color, line and composition characterizes his paintings of animals, rooted in their natural surroundings. Whether painting a cow in a pasture or a pointer in a field, animal and nature coexist in total harmony when they are recorded by Troyon's brush. When Troyon died in 1865, his reputation as one of the greatest animal painters of the 19th century was firmly established.

A 18th century Dutch painting school of Jan Vermeer of an interior scene Picturing a woman at work in a traditional 17th century kitchen. Oil on oak panel signed lower right P.V. Ameyden beautifully painted framed in a gilt decorative frame. Measuring approx. 12.5 in. by 14.5 in. framed size 16.5 x 18.5 inches. A fine decorative painting would be a nice addition to any collection.

Sterling silver overlay porcelain tea service tea pot sugar and creamer. All in excellent condition without chips or cracks featuring a beautiful art nouveau silver overlay design. The tea pot measures approx. 8 in. by 8 in. the service is probably Lennox but it unmarked.

Japanese signed Satsuma pottery censer hand painted in cobalt blue background with figural and traditional Satsuma design. In excellent condition with no damage. Measuring approx. inches by inches

A fine Original Drawing with color by Alexandre Gabriel Decamps 1803-1860. A north African scene of a mosque and minaret signed with monogram lower right. In good antique condition some minor restored edge tears 1 cm each paper discoloration with age. Image measuring approx. 9.5 x 12.5 framed in a quality antique frame overall size 17 x 19.

Biography Decamps, Alexandre Gabriel 1803-60, French genre and historical painter, engraver, and lithographer. First known for his caricatures and illustrations, he turned to painting in thick impasto and strong color. One of his richest sources was the Middle East, which he depicted in vivid detail. His Good Samaritan and Night Patrol at Smyrna are in the Metropolitan Museum New York.

A Beautiful original oil painting Robert William Wood of a Texas landscape with bluebonnet flowers and old homestead and oak trees. Oil on canvas measuring approx. 25x30 inches. Condition is excellent the canvas has been relined due to age cracking overall a fine example of this artists work ready to hang. Biography A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.

A beautiful original oil on canvas board by Renowned Laguna artist signed lower right and dated measuring 20 x 24 framed in a quality 24k gold leaf frame by Sean Speck of Los Angeles.

Biography>Born in Ravenna, Ohio, Anna Althea Hills was a prominent California landscape painter who was also remembered as a civic leader in Laguna Beach. In addition to painting in her native state, she was active in Arizona. She was raised in Olivet, Michigan, and attended Olivet College. She studied at the Art Institute of Chicago, Cooper Union in New York, and privately with Arthur Dow. After further study at the Academie Julian in Paris and traveling throughout Europe for four years, she moved to Laguna Beach in 1913 and was painting in Arizona as early as 1914. The landscape of the West inspired her to adopt a light, colorful Impressionist palette. In spite of a severe spinal injury, she took adventurous painting trips into remote mountain areas. She also supervised a Sunday School for ten years, and was a six-year president of the Laguna Beach Art Association and helped raise funds to build the existing museum. Her early works of genre and interiors were much darker than her later California landscapes and marine scenes. She combined watercolor and oil and painted in a decorative style. Sources: Edan Hughes, Artists in California, 1786-1940

A fine pair of Sheffield Silver Candlesticks by Mathew Boulton c.1790. Boulton a famed English inventor and manufacturer of fine Sheffield Silver Plate. Each candle stick is hall marked with the Boulton touch mark. Measuring 8.5" T x 4.5"W. in very good condition some copper showing through.

A beautiful antique carved stone statue of a Hindu deity 10 - 11th century. Of a red sandstone measuring approx. 18.5 inches tall. A fine example would be a nice addition to any collection.

Heriberto Juárez Castañeda" This "El Toro" the bull bronze sculpture is by important artist Heriberto Juárez. He's considered one of Mexico's most important contemporary artist. This bronze measures Approx. 9 inches in length mounted on a white marble base artist signed in the work. A great example of this artists work It would be a very nice addition to any collection of Mexican art. Heriberto Juárez was born in San Juan Teotihuacan, State of Mexico, and it was precisely there, land of pyramid builders and legendary sculptors, where he took his first lessons on artistic pottery, sculpture and drawing which helped him acquire the knowledge and skills he materializes in his work perform on chromium plated iron and tin, onyx, marble, bronze... The quality, strength, expressive ability and good taste found in his work have taken him through important galleries and museums around the world and have made him worthy of recognition as one of the prominent artists who have collaborated most different cultural fields in Mexico.

Original oil titled Holland Church measuring 12 x 16 inches framed in a fine hand made gold leaf frame overall approx. 20 x 24. Provenance: the estate of the artists and Karges gallery estate stamped signed and numbered and titled and labeled on the reverse. A fine painting by this renowned artist.

Biography

Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke. The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings. From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat'l Ass'n of Women Artists; Carmen AA; Chicago Society of Etchers. Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938. Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum. Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI

A fine antique Kentucky Rifle with tiger maple stock and silver decorations percussion muzzle loader approx. 50 caliber. The lock mechanism is by Whitmore and Wolfe of Pennsylvania the barrel octagon by N. Schennefelt Penn. A fine gun in very good antique condition.

A beautiful Japanese Art nouveau carved wood urn or vase stand finely carved details of Iris flowers measuring approx. 28 inches tall. A fine decorative piece.

A fine Original early California watercolor painting by Susan S. Loosely or Sroufe her maiden name. Picturing a redwood forest with afternoon light framed in original arts and crafts period frame. In excellent condition measuring approx. 12 x 18 a fine and rare painting. Biography

The Sroufe family came to California in a prairie schooner in 1850 with the Gold Rush. On October 2, 1853 Susan was born in Petaluma. In 1870 the family settled in San Francisco where Susan showed a marked talent for drawing while a student in the public schools. She later studied art under some of the finest local artists and then for three years in Munich and Paris. While there she exhibited at the Paris Salon and received an honorable mention. After returning to San Francisco, the artist established a studio at 13 Pine Street. In 1892 she wed John R. Loosley and continued to be active in the local art sceSne. The earthquake and fire of 1906 destroyed her studio and many of her early works. After settling across the Golden Gate in Sausalito, she built a home at 141 San Carlos where she lived until her demise on Jan. 3, 1940. Her landscapes include local scenes and those painted on trips with her husband, a salesman, to Arizona and New Mexico. As well as oils and watercolors, she also excelled at wood carving and china painting. Exh: Mechanics' Inst. (SF), 1878-99; Calif. State Fair, 1880-1902; SFAA, 1885-97; Calif. State Bldg, World's Columbian Expo (Chicago), 1893; Calif. Midwinter Expo, 1894; Mark Hopkins Inst., 1898; Alaska Yukon Expo (Seattle), 1909; Sketch Club (SF), 1909; Sorosis Club, 1913. In: Sausalito (CA) Women's Club; CHS. Source: Edan Hughes, "Artists in California, 1786-1940"

An exquisite antique Burmese Mandalay style gilt bronze Buddha c. 18th century. measuring approx. 13 inches or 33 cm. tall . A fine example would in good antique condition some losses and wear.

Antique Japanese Bronze planter with dragon image on one side and Mt Fugi on the other. Original deep brown rich patina. The bottom has been replaced with a wood stand. Measuring 10" x 9".

Dutch Tavern scene attributed to Adrian Van Ostade 17th century circa 1650 original oil on oak panel framed in a period hand carved walnut frame. Old exhibition label from a Vienna Austria gallery exhibit of 17th Century Dutch paintings. An exquisite antique Dutch painting would be a fine addition to any collection.

Antique carved wood Buddha Burma circa 1850. Finely carved image of the Buddha seated on a lotus made from a hardwood with a rich deep brown patina. Measuring approx. 10 inches tall in excellent condition. This fine example would make a nice decorative and inspirational piece.

This rare engraving depicts the siege of Szczecin (Stettin), situated on the river Oder (north to the left), at that time part of Swedish Pomerania. A combined allied force of Poles, Austrains and Brandenburgians, under General Jean-Luis des Souches, invested the fortress on the 19th (29th) of September 1659. The besieged Swedish forces, under Major General Paul Wirtz, defended doggedly and eventually the besiegers gave up on the 6th (16th) November 1659. Plate 106 Background: In 1648, the Peace of Westphalia brought to an end the Thirty Years’ War and at the same time thwarted Sweden’s ambitions to control Baltic trade. Sweden was intent on gaining control of the whole of the Baltic trade (Dominium Maris Baltici) and the enormous customs duties deriving from it. All that was missing was control of the major ports on the southern coast of the Baltic or, alternatively, the Oresund, the gateway to the Baltic. A pre-emptive strike against Poland would isolate Prussia (east & west) forcing it to concede control of its ports, or at least pay Sweden a substantial amount of its income for ‘protection’. In July 1655 Karl X Gustav, King of Sweden, declared war and invaded the Commonwealth of Poland and Lithuania, giving rise to the 2nd Northern War, known in Poland as ‘The Deluge’. The Commonwealth was already weakened by fighting on two front; In the Ukraine it was attempting to suppress a war of independence whilst in the east Russian forces were overrunning Lithuania and Belarus. By superior tactical use of infantry and artillery, within the space of 4 months Karl X Gustav had overrun the whole of the area of present day Poland and forced the Polish King, Jan II Casmir, to flee the Country. All but a handful of the major stronghold gave up with just token resistance, the notable exceptions being Gdansk, Przemysl, Zamosc and Czestochowa. Two years later 'having conquered the Country but not the people' Karl X Gustav recieved information that the Danes had declared war on Sweden. Leaving some of his forces to hold various strongholds in Poland Karl X Gustav took 6000 of his most seasoned troops and marched to Denmark. This engravings comes from the book: De Rebus a Carolo Gustavo Sueciae Rege Gestis Commentariorum Libri Septem elegantissimis Tabulis Aeneis exornati (Sieben Bucher von denen Thaten Carl Gustavs Konigs in Schweden) Author: Pufendorf. S. Von, Published: Nuremberg, Christoph Riegel Date: 1696 The book is an account of the life and deeds of Charles Gustav during his reign as King of Sweden from 1654 to 1660. Engraver: ? Drawn by: Dahlbergh. Erik von, Condition: Very good ready for framing. Color: Uncoloured Size (h x w) 16.5" x 14" or 35 x 41.5 cm (approx. sheet size) Technique: Copper plate Scarce Samuel Pufendorf (1632-94): A German jurist and historian, he is especially noted as an early theorist of international law. In his later years, he served as royal historiographer at Stockholm and Berlin. Erik Dahlbergh (1625-1703): A Swedish field marshal, military engineer and cartographer, Count Dahlbergh was the author of a number of topographical works including the maps and plans in a famous account of the military exploits of the Swedish King, Charles X Gustav by Samuel Pufendorf. From July 1656 he served with the Swedish forces as military engineer and his engravings are that much more valuable in that they were made as an 'eyewitness'. The engravings are scarce and have great historic as well as artistic value showing as they do plans and elevations of towns & castles as well as the costumes of the period.